{"id":1034,"date":"2022-01-27T13:55:31","date_gmt":"2022-01-27T12:55:31","guid":{"rendered":"https:\/\/gwenaelmorin.fr\/?page_id=1034"},"modified":"2022-01-31T10:41:02","modified_gmt":"2022-01-31T09:41:02","slug":"comedie-sans-titre","status":"publish","type":"page","link":"https:\/\/theatrepermanent.fr\/index.php\/comedie-sans-titre\/","title":{"rendered":"COM\u00c9DIE SANS TITRE"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;]<\/p>\n<p>drame r\u00e9volutionnaire inachev\u00e9, 1935<\/p>\n<p>de\u00a0 <strong>Federico Garcia Lorca<\/strong><\/p>\n<p>traduction\u00a0<strong>Ana Benito, Andr\u00e9 Guittier, Gwena\u00ebl Morin<\/strong><\/p>\n<p>mise en sc\u00e8ne <strong>Gwena\u00ebl Morin<\/strong><\/p>\n<p>avec\u00a0<strong>Ana Benito,\u00a0C\u00e9line Betton, Juliette Galamez, Andr\u00e9 Guittier, Denys Labouti\u00e8re, Gr\u00e9goire Monsaingeon<\/strong><\/p>\n<p><span style=\"font-size: 14px;\">ET L\u2019OLYMPIQUE PANDEMONIUM\u00a0\u00a0<\/span><strong style=\"font-size: 14px;\">Cl\u00e9ment Arnaud, Guillaume Bailliart, M\u00e9lanie Bestel, M\u00e9lanie Bourgeois, Laurent Fran\u00e7ois, Pierre Germain, Yonnel Perrier, Aur\u00e9lie Pitrat, Alice Robert, Virginie Schell<\/strong><\/p>\n<p>son\u00a0<strong>Juliette Galamez<\/strong><\/p>\n<p>lumi\u00e8re<strong> Christophe Sauvet<\/strong><\/p>\n<p>direction technique\u00a0<strong>Martial Jacquemet<\/strong><\/p>\n<p>costume<strong> Josy Lopez<\/strong><\/p>\n<p>cr\u00e9ation 2004<\/p>\n<p>[\/et_pb_text][et_pb_testimonial author=\u00a0\u00bbGwena\u00ebl Morin\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb]<\/p>\n<p style=\"text-align: justify;\">Lorca m\u2019int\u00e9resse parce qu\u2019il p\u00e9dale dans la semoule, il n\u2019est pas du tout coh\u00e9rent, trois pages plus loin il dit l\u2019inverse. Il m\u2019int\u00e9resse surtout parce qu\u2019\u00e0 l\u2019instar d\u2019autres artistes du XX\u00e8me si\u00e8cle que j\u2019appr\u00e9cie \u2013Aragon, Hemingway, Beuys ou Cage- c\u2019est des personnes qui ont eu le courage du premier degr\u00e9, de la beaut\u00e9 en fait, en pleine r\u00e9volution de la pens\u00e9e, en plein explosion de tous les codes, ils ont continu\u00e9 \u00e0 se dire \u00ab on va faire des beaux po\u00e8mes \u00bb, et \u00e7a tient, on ne dit pas \u00ab putain c\u2019est ringard, on s\u2019en fout des rimes \u00bb, Lorca il fait des rimes, des beaux po\u00e8mes, et \u00e7a tient et j\u2019aime \u00e7a, le courage du premier degr\u00e9.<\/p>\n<p>[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][modula_gallery gallery_select=\u00a0\u00bb1033&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/modula_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; 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