{"id":1249,"date":"2022-02-02T11:15:28","date_gmt":"2022-02-02T10:15:28","guid":{"rendered":"http:\/\/gwenaelmorin.fr\/?page_id=1249"},"modified":"2022-02-02T11:15:28","modified_gmt":"2022-02-02T10:15:28","slug":"lecole-des-femmes","status":"publish","type":"page","link":"https:\/\/theatrepermanent.fr\/index.php\/lecole-des-femmes\/","title":{"rendered":"L&rsquo;\u00c9COLE DES FEMMES"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;]<\/p>\n<p><span>de\u00a0<\/span><strong>Moli\u00e8re<\/strong><br \/> <span>mise en sc\u00e8ne\u00a0<\/span><strong>Gwena\u00ebl Morin<\/strong><br \/> <span>assist\u00e9 de\u00a0<\/span><strong>Philippe Mangenot<\/strong><\/p>\n<p><span>avec\u00a0<\/span><strong>Micha\u00ebl Comte<\/strong><span>,\u00a0<\/span><strong>Marion Couzini\u00e9<\/strong><span>,\u00a0<\/span><strong>Lucas Delesvaux<\/strong><span>,\u00a0<\/span><strong>Chlo\u00e9 Giraud<\/strong><span>,\u00a0<\/span><strong>Pierre Laloge<\/strong><span>,<\/span><strong><span>\u00a0<\/span>Beno\u00eet Martin<\/strong><span>,\u00a0<\/span><strong>Julien Michel<\/strong><span>,\u00a0<\/span><strong>Maxime Roger<\/strong><span>,\u00a0<\/span><strong>Judith Rutkowski<\/strong><span>,<\/span><strong><span>\u00a0<\/span>Thomas Tressy<\/strong><\/p>\n<p><span>cr\u00e9ation en mai 2014<\/span><\/p>\n<p>[\/et_pb_text][et_pb_testimonial _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb]<\/p>\n<p style=\"text-align: justify;\"><span>Il y a quarante ans Antoine Vitez pr\u00e9sentait \u00e0 Avignon quatre pi\u00e8ces de Moli\u00e8re avec de jeunes com\u00e9diens dans un d\u00e9cor unique. Aujourd\u2019hui, Gwena\u00ebl Morin a choisi ces mises en sc\u00e8ne comme mat\u00e9riau pour travailler avec de jeunes acteurs. Moli\u00e8re comme une formidable machine \u00e0 jouer, pour sa\u00a0<\/span><em>puissance fondamentale de produire du th\u00e9\u00e2tre<\/em><span>. La distribution s\u2019est faite par tirage au sort, sans tenir compte ni des r\u00f4les d\u2019hommes ou de femmes, ni des personnages principaux ou secondaires. Gwena\u00ebl Morin centre son travail sur l\u02bcacteur et ne s\u02bcencombre pas de d\u00e9cors ou de costumes. De Moli\u00e8re \u00e0 Vitez en passant par Morin, c\u2019est ce m\u00eame \u00e9lan, cette m\u00eame \u00e9nergie qui sont ici r\u00e9activ\u00e9s.<\/span><\/p>\n<p>[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][modula_gallery gallery_select=\u00a0\u00bb1240&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;][\/modula_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;] de\u00a0Moli\u00e8re mise en sc\u00e8ne\u00a0Gwena\u00ebl Morin assist\u00e9 de\u00a0Philippe Mangenot avec\u00a0Micha\u00ebl Comte,\u00a0Marion Couzini\u00e9,\u00a0Lucas Delesvaux,\u00a0Chlo\u00e9 Giraud,\u00a0Pierre Laloge,\u00a0Beno\u00eet Martin,\u00a0Julien Michel,\u00a0Maxime Roger,\u00a0Judith Rutkowski,\u00a0Thomas Tressy cr\u00e9ation en mai 2014 [\/et_pb_text][et_pb_testimonial _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb] Il y a quarante ans Antoine Vitez pr\u00e9sentait \u00e0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1249","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.13 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>L&#039;\u00c9COLE DES FEMMES - Gwena\u00ebl Morin<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theatrepermanent.fr\/index.php\/lecole-des-femmes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L&#039;\u00c9COLE DES FEMMES - Gwena\u00ebl Morin\" \/>\n<meta property=\"og:description\" content=\"[et_pb_section fb_built=\u00a0\u00bb1&Prime; 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