{"id":383,"date":"2022-01-12T13:05:16","date_gmt":"2022-01-12T12:05:16","guid":{"rendered":"https:\/\/gwenaelmorin.fr\/?page_id=383"},"modified":"2022-01-27T09:03:05","modified_gmt":"2022-01-27T08:03:05","slug":"le-theatre-et-son-double","status":"publish","type":"page","link":"https:\/\/theatrepermanent.fr\/index.php\/le-theatre-et-son-double\/","title":{"rendered":"LE TH\u00c9\u00c2TRE ET SON DOUBLE"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb]<\/p>\n

De Antonin Artaud<\/strong><\/span><\/p>\n

Conception & mise en sc\u00e8ne <\/span>Gwena\u00ebl Morin<\/b> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/b><\/p>\n

Avec<\/span> Lucie Brunet, Lucile Delzenne, Fran\u00e7ois Gorrissen, Manu Laskar, Nicolas Le Bricquir, Nicole Mersey-Ortega, Gwena\u00ebl Morin, Richard Sammut & Kay Zevallos-Villegas<\/b><\/p>\n

Sc\u00e9nographie <\/span>Philippe Quesne<\/b><\/p>\n

Dramaturgie <\/span>Camille Louis<\/b><\/p>\n

cr\u00e9ation 2020 – disponible en tourn\u00e9e<\/p>\n

Coproduction Nanterre-Amandiers, centre dramatique national\u00a0<\/span><\/p>\n

Avec la participation artistique du Studio d’Asni\u00e8res-ESCA et le soutien de la SPEDIDAM<\/span><\/p>\n

 <\/p>\n

[\/et_pb_text][et_pb_testimonial author=\u00a0\u00bbHugues Le Tanneur\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb]<\/p>\n

Comment restituer cette parole, qui tient autant du chuchotement que de la d\u00e9flagration, dans l\u2019espace de la sc\u00e8ne ? Apr\u00e8s s\u2019\u00eatre abondamment pench\u00e9 sur la question, Gwena\u00ebl Morin se frotte aujourd\u2019hui \u00e0 cette exp\u00e9rience vertigineuse en installant public et acteurs dans un espace aux vastes proportions, imagin\u00e9 par le sc\u00e9nographe Philippe Quesne : une bulle immense dont la vo\u00fbte \u00e9lev\u00e9e \u00e9voque une cath\u00e9drale, et la blancheur le ventre de Moby Dick, la baleine r\u00eav\u00e9e par Herman Melville. \u00ab Le plus bel art est celui qui nous rapproche du chaos \u00bb, \u00e9crit Artaud, voulant dire notamment par l\u00e0 que l\u2019art nous met en contact avec le myst\u00e8re de la condition humaine.<\/span><\/p>\n

 <\/p>\n

En abordant l\u2019ensemble de l\u2019\u0153uvre d\u2019Artaud, et pas seulement Le Th\u00e9\u00e2tre et son double, c\u2019est \u00e0 une confrontation avec cette dimension \u00e9nigmatique que Gwena\u00ebl Morin convie le spectateur dans ce qui ressemble \u00e0 un rituel enflamm\u00e9 non d\u00e9pourvu d\u2019humour alternant parties chant\u00e9es, participatives, improvis\u00e9es ou \u00e9crites. Une invitation \u00e0 partager la force d\u2019une oeuvre d\u2019autant plus stimulante que s\u2019y confronter est \u00e0 chaque fois comme un retour aux sources.<\/span><\/p>\n

[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][modula_gallery gallery_select=\u00a0\u00bb451″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/modula_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb] De Antonin Artaud Conception & mise en sc\u00e8ne Gwena\u00ebl Morin \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Avec Lucie Brunet, Lucile Delzenne, Fran\u00e7ois Gorrissen, Manu Laskar, Nicolas Le Bricquir, Nicole Mersey-Ortega, Gwena\u00ebl Morin, Richard Sammut & Kay Zevallos-Villegas Sc\u00e9nographie Philippe Quesne Dramaturgie Camille […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-383","page","type-page","status-publish","hentry"],"yoast_head":"\nLE TH\u00c9\u00c2TRE ET SON DOUBLE - Gwena\u00ebl Morin<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theatrepermanent.fr\/index.php\/le-theatre-et-son-double\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LE TH\u00c9\u00c2TRE ET SON DOUBLE - Gwena\u00ebl Morin\" \/>\n<meta property=\"og:description\" content=\"[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb] De Antonin Artaud Conception & mise en sc\u00e8ne Gwena\u00ebl Morin \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Avec Lucie Brunet, Lucile Delzenne, Fran\u00e7ois Gorrissen, Manu Laskar, Nicolas Le Bricquir, Nicole Mersey-Ortega, Gwena\u00ebl Morin, Richard Sammut & Kay Zevallos-Villegas Sc\u00e9nographie Philippe Quesne Dramaturgie Camille […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theatrepermanent.fr\/index.php\/le-theatre-et-son-double\/\" \/>\n<meta property=\"og:site_name\" content=\"Gwena\u00ebl Morin\" \/>\n<meta property=\"article:modified_time\" content=\"2022-01-27T08:03:05+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/theatrepermanent.fr\/index.php\/le-theatre-et-son-double\/\",\"url\":\"https:\/\/theatrepermanent.fr\/index.php\/le-theatre-et-son-double\/\",\"name\":\"LE TH\u00c9\u00c2TRE ET SON DOUBLE - 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