{"id":418,"date":"2022-01-17T09:53:51","date_gmt":"2022-01-17T08:53:51","guid":{"rendered":"https:\/\/gwenaelmorin.fr\/?page_id=418"},"modified":"2022-01-27T11:21:44","modified_gmt":"2022-01-27T10:21:44","slug":"antigone","status":"publish","type":"page","link":"https:\/\/theatrepermanent.fr\/index.php\/antigone\/","title":{"rendered":"ANTIGONE D&rsquo;APR\u00c8S ANTIGONE DE SOPHOCLE"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb]<\/p>\n<p><span>mise en sc\u00e8ne de\u00a0<\/span><strong>Gwena\u00ebl Morin<\/strong><\/p>\n<p><span>avec\u00a0<\/span><strong>Julian Eggerickx, Barbara Jung, Gr\u00e9goire Monsaingeon, Ulysse Pujo<\/strong><\/p>\n<p><span>r\u00e9gie\u00a0<\/span><strong>Manuella Mangalo<\/strong><\/p>\n<p>cr\u00e9ation 2009<\/p>\n<p>[\/et_pb_text][et_pb_testimonial author=\u00a0\u00bbGwena\u00ebl Morin\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb]<\/p>\n<p style=\"text-align: justify;\"><span>La pi\u00e8ce expose comment un \u00eatre humain, Antigone, est en prise avec une force sup\u00e9rieure, la raison d\u2019Etat, dont s\u2019investit Cr\u00e9on; et comment ce Cr\u00e9on-l\u00e0 tombe dans la trag\u00e9die, c\u2019est-\u00e0-dire dans ce qui lui reste d\u2019humain au moment o\u00f9 il apprend la mort de son fils et le suicide de son \u00e9pouse. Il y a une certaine\u00a0beaut\u00e9 dans ce rapport de masse entre Cr\u00e9on comme affirmation du pouvoir politique absolu et son effondrement.<\/span><\/p>\n<p>[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][modula_gallery gallery_select=\u00a0\u00bb911&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;][\/modula_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb] mise en sc\u00e8ne de\u00a0Gwena\u00ebl Morin avec\u00a0Julian Eggerickx, Barbara Jung, Gr\u00e9goire Monsaingeon, Ulysse Pujo r\u00e9gie\u00a0Manuella Mangalo cr\u00e9ation 2009 [\/et_pb_text][et_pb_testimonial author=\u00a0\u00bbGwena\u00ebl Morin\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb] La pi\u00e8ce expose comment un \u00eatre humain, Antigone, est en prise avec une force sup\u00e9rieure, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:divi\/placeholder \/-->","_et_gb_content_width":"","footnotes":""},"class_list":["post-418","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.13 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ANTIGONE D&#039;APR\u00c8S ANTIGONE DE SOPHOCLE - Gwena\u00ebl Morin<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theatrepermanent.fr\/index.php\/antigone\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ANTIGONE D&#039;APR\u00c8S ANTIGONE DE SOPHOCLE - Gwena\u00ebl Morin\" \/>\n<meta property=\"og:description\" content=\"[et_pb_section fb_built=\u00a0\u00bb1&Prime; 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_module_preset=\u00a0\u00bbdefault\u00a0\u00bb] La pi\u00e8ce expose comment un \u00eatre humain, Antigone, est en prise avec une force sup\u00e9rieure, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theatrepermanent.fr\/index.php\/antigone\/\" \/>\n<meta property=\"og:site_name\" content=\"Gwena\u00ebl Morin\" \/>\n<meta property=\"article:modified_time\" content=\"2022-01-27T10:21:44+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/theatrepermanent.fr\/index.php\/antigone\/\",\"url\":\"https:\/\/theatrepermanent.fr\/index.php\/antigone\/\",\"name\":\"ANTIGONE D'APR\u00c8S ANTIGONE DE SOPHOCLE - Gwena\u00ebl Morin\",\"isPartOf\":{\"@id\":\"https:\/\/theatrepermanent.fr\/#website\"},\"datePublished\":\"2022-01-17T08:53:51+00:00\",\"dateModified\":\"2022-01-27T10:21:44+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/theatrepermanent.fr\/index.php\/antigone\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/theatrepermanent.fr\/index.php\/antigone\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/theatrepermanent.fr\/index.php\/antigone\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/theatrepermanent.fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"ANTIGONE D&rsquo;APR\u00c8S ANTIGONE DE SOPHOCLE\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/theatrepermanent.fr\/#website\",\"url\":\"https:\/\/theatrepermanent.fr\/\",\"name\":\"Gwena\u00ebl Morin\",\"description\":\"SAS Th\u00e9\u00e2tre Permanent\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/theatrepermanent.fr\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"ANTIGONE D'APR\u00c8S ANTIGONE DE SOPHOCLE - Gwena\u00ebl Morin","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/theatrepermanent.fr\/index.php\/antigone\/","og_locale":"fr_FR","og_type":"article","og_title":"ANTIGONE D'APR\u00c8S ANTIGONE DE SOPHOCLE - Gwena\u00ebl Morin","og_description":"[et_pb_section fb_built=\u00a0\u00bb1&Prime; 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_module_preset=\u00a0\u00bbdefault\u00a0\u00bb] La pi\u00e8ce expose comment un \u00eatre humain, Antigone, est en prise avec une force sup\u00e9rieure, [&hellip;]","og_url":"https:\/\/theatrepermanent.fr\/index.php\/antigone\/","og_site_name":"Gwena\u00ebl Morin","article_modified_time":"2022-01-27T10:21:44+00:00","twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/theatrepermanent.fr\/index.php\/antigone\/","url":"https:\/\/theatrepermanent.fr\/index.php\/antigone\/","name":"ANTIGONE D'APR\u00c8S ANTIGONE DE SOPHOCLE - Gwena\u00ebl Morin","isPartOf":{"@id":"https:\/\/theatrepermanent.fr\/#website"},"datePublished":"2022-01-17T08:53:51+00:00","dateModified":"2022-01-27T10:21:44+00:00","breadcrumb":{"@id":"https:\/\/theatrepermanent.fr\/index.php\/antigone\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/theatrepermanent.fr\/index.php\/antigone\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/theatrepermanent.fr\/index.php\/antigone\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/theatrepermanent.fr\/"},{"@type":"ListItem","position":2,"name":"ANTIGONE D&rsquo;APR\u00c8S ANTIGONE DE SOPHOCLE"}]},{"@type":"WebSite","@id":"https:\/\/theatrepermanent.fr\/#website","url":"https:\/\/theatrepermanent.fr\/","name":"Gwena\u00ebl Morin","description":"SAS Th\u00e9\u00e2tre Permanent","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/theatrepermanent.fr\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"}]}},"_links":{"self":[{"href":"https:\/\/theatrepermanent.fr\/index.php\/wp-json\/wp\/v2\/pages\/418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatrepermanent.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theatrepermanent.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theatrepermanent.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatrepermanent.fr\/index.php\/wp-json\/wp\/v2\/comments?post=418"}],"version-history":[{"count":7,"href":"https:\/\/theatrepermanent.fr\/index.php\/wp-json\/wp\/v2\/pages\/418\/revisions"}],"predecessor-version":[{"id":914,"href":"https:\/\/theatrepermanent.fr\/index.php\/wp-json\/wp\/v2\/pages\/418\/revisions\/914"}],"wp:attachment":[{"href":"https:\/\/theatrepermanent.fr\/index.php\/wp-json\/wp\/v2\/media?parent=418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}