{"id":461,"date":"2022-01-20T10:49:28","date_gmt":"2022-01-20T09:49:28","guid":{"rendered":"https:\/\/gwenaelmorin.fr\/?page_id=461"},"modified":"2022-01-27T09:01:54","modified_gmt":"2022-01-27T08:01:54","slug":"raaaaciiiineeee","status":"publish","type":"page","link":"https:\/\/theatrepermanent.fr\/index.php\/raaaaciiiineeee\/","title":{"rendered":"RAAAACIIIINEEEE"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″]<\/p>\n

PH\u00c8DRE\u00a0 \u00a0ANDROMAQUE\u00a0 \u00a0B\u00c9R\u00c9NICE\u00a0 \u00a0BRITANNICUS\u00a0<\/em><\/strong><\/p>\n

De Jean Racine<\/strong><\/span><\/p>\n

Mise en sc\u00e8ne <\/span>Gwena\u00ebl Morin<\/b> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/b><\/p>\n

Avec la promotion L de l\u2019\u00e9cole de la Manufacture \u00e0 Lausanne en Suisse<\/span><\/p>\n

Ang\u00e8le Arnaud, Isma\u00ebl Attia, Emilie Cavaliera, Emeric Cheseaux, Olivier Debbasch, B\u00e9n\u00e9dicte Amsler Denogent, Lou Golaz, Vivien Hebert, Alix Henzelin, Ali Lamaadli, Na\u00efma Perlot-Lhuillier, Arcadi Radeff, Loubna Raigneau, Eliot Sidler, Etienne Tripoz,<\/b><\/p>\n

Collaboration artistique <\/span>Barbara Jung<\/b><\/p>\n

cr\u00e9ation 2021\u00a0<\/p>\n

[\/et_pb_text][et_pb_testimonial author=\u00a0\u00bbGwena\u00ebl Morin\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb]<\/p>\n

Apr\u00e8s avoir mis en sc\u00e8ne quatre pi\u00e8ces de Moli\u00e8re en un seul cycle intitul\u00e9 <\/span>Les Moli\u00e8re de Vitez<\/span><\/i>, je poursuis mon exploration des \u00ab espaces publics symboliques \u00bb que sont les classiques, autour du quadriptyque Ph\u00e8dre, Andromaque, B\u00e9r\u00e9nice et Britannicus de Racine.\u00a0\u00a0<\/span><\/p>\n

 <\/p>\n

4 trag\u00e9dies mont\u00e9es en un seul geste avec la Promotion L de l\u2019\u00e9cole de la Manufacture.\u00a0<\/span><\/p>\n

 <\/p>\n

6 576 vers r\u00e9partis \u00e0 \u00e9galit\u00e9 entre 16 interpr\u00e8tes, engag\u00e9\u00b7es \u00e0 se livrer corps et \u00e2me, une distribution tir\u00e9e au sort pour s\u2019affranchir des id\u00e9es re\u00e7ues, des r\u00e9partitions traditionnelles des sexes et ouvrir la sc\u00e8ne \u00e0 l\u2019inattendu.\u00a0<\/span><\/p>\n

 <\/p>\n

Dans cet univers o\u00f9 l\u2019amour est l\u2019autre nom de la trag\u00e9die, les protagonistes sont entra\u00een\u00e9s aux actes les plus sombres. C\u2019est \u00e0 notre soif d\u2019amour que nous faisons face, \u00e0 notre condition tragique d\u2019\u00eatre humain.<\/span><\/p>\n

 <\/p>\n

Les r\u00e8gles du jeu restent les m\u00eames : faire du th\u00e9\u00e2tre avec rien ou presque, si ce n\u2019est la puissance du texte et l\u2019\u00e9nergie des acteurs.<\/span><\/p>\n

<\/span><\/p>\n

<\/span><\/p>\n

<\/span><\/p>\n

[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][modula_gallery gallery_select=\u00a0\u00bb456″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/modula_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″] PH\u00c8DRE\u00a0 \u00a0ANDROMAQUE\u00a0 \u00a0B\u00c9R\u00c9NICE\u00a0 \u00a0BRITANNICUS\u00a0 De Jean Racine Mise en sc\u00e8ne Gwena\u00ebl Morin \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Avec la promotion L de l\u2019\u00e9cole de la Manufacture \u00e0 Lausanne en Suisse Ang\u00e8le Arnaud, Isma\u00ebl Attia, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-461","page","type-page","status-publish","hentry"],"yoast_head":"\nRAAAACIIIINEEEE - 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