{"id":805,"date":"2022-01-26T11:39:55","date_gmt":"2022-01-26T10:39:55","guid":{"rendered":"https:\/\/gwenaelmorin.fr\/?page_id=805"},"modified":"2022-02-07T11:23:54","modified_gmt":"2022-02-07T10:23:54","slug":"antiteatre-7","status":"publish","type":"page","link":"https:\/\/theatrepermanent.fr\/index.php\/antiteatre-7\/","title":{"rendered":"LIBERTE \u00c0 BR\u00caME"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;]<\/p>\n<p><span>d&rsquo;apr\u00e8s\u00a0<\/span><strong>Rainer Werner Fassbinder<\/strong><\/p>\n<p><span>mise en sc\u00e8ne\u00a0<\/span><strong>Gwena\u00ebl Morin<\/strong><\/p>\n<p><span>assistante \u00e0 la mise en sc\u00e8ne et dramaturge\u00a0<\/span><strong>Elsa Rooke<\/strong><\/p>\n<p><span>avec\u00a0<\/span><strong>Renaud B\u00e9chet<\/strong><span>,\u00a0<\/span><strong>M\u00e9lanie Bourgeois<\/strong><span>,\u00a0<\/span><strong>Virginie Colemyn<\/strong><span>,\u00a0<\/span><strong>Kathleen Dol<\/strong><span>,\u00a0<\/span><strong>Julian Eggerickx<\/strong><span>,\u00a0<\/span><strong>Pierre Germain<\/strong><span>,\u00a0<\/span><strong>Fran\u00e7ois Gorrissen<\/strong><span>,\u00a0<\/span><strong>Barbara Jung<\/strong><span>,\u00a0<\/span><strong>Ulysse Pujo<\/strong><span>,\u00a0<\/span><strong>Natalie Royer<\/strong><span>,\u00a0<\/span><strong>Brahim Tekfa<\/strong><\/p>\n<p>cr\u00e9ation 2013<\/p>\n<p>[\/et_pb_text][et_pb_testimonial author=\u00a0\u00bbGwena\u00ebl Morin\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb]<\/p>\n<p style=\"text-align: justify;\">Il n\u2019y a pas plusieurs vies, de temps off et de temps on ou in. J\u2019admire chez Fassbinder, comme chez Picasso, Beuys ou encore Hirschhorn \u2013 dont j\u2019ai \u00e9t\u00e9 t\u00e9moin de l\u2019activit\u00e9 \u2013 le point d\u2019intensit\u00e9 de leur action sur le monde. Chaque souffle, chaque instant, chaque geste de leur vie est investi de la plus exigeante des concentrations possibles. Fassbinder a eu le courage et l\u2019\u00e9nergie de cet engagement total. Je crois que \u00ab artiste \u00bb est une des formes de responsabilit\u00e9 les plus intenses et les plus hautes qu\u2019un homme puisse exercer sur sa propre vie. En admirant Fassbinder j\u2019essaie de faire pareil.<\/p>\n<p>[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][modula_gallery gallery_select=\u00a0\u00bb798&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/modula_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5&Prime; _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bb|||on|||||\u00a0\u00bb title_font_size=\u00a0\u00bb27px\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; sticky_enabled=\u00a0\u00bb0&Prime;] d&rsquo;apr\u00e8s\u00a0Rainer Werner Fassbinder mise en sc\u00e8ne\u00a0Gwena\u00ebl Morin assistante \u00e0 la mise en sc\u00e8ne et dramaturge\u00a0Elsa Rooke avec\u00a0Renaud B\u00e9chet,\u00a0M\u00e9lanie Bourgeois,\u00a0Virginie Colemyn,\u00a0Kathleen Dol,\u00a0Julian Eggerickx,\u00a0Pierre Germain,\u00a0Fran\u00e7ois Gorrissen,\u00a0Barbara Jung,\u00a0Ulysse Pujo,\u00a0Natalie Royer,\u00a0Brahim Tekfa cr\u00e9ation 2013 [\/et_pb_text][et_pb_testimonial author=\u00a0\u00bbGwena\u00ebl Morin\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.5&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb] [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-805","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.13 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>LIBERTE \u00c0 BR\u00caME - Gwena\u00ebl Morin<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theatrepermanent.fr\/index.php\/antiteatre-7\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LIBERTE \u00c0 BR\u00caME - Gwena\u00ebl Morin\" \/>\n<meta property=\"og:description\" content=\"[et_pb_section fb_built=\u00a0\u00bb1&Prime; 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